"White Balence" style adjustments for indivdual colors in HSL

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There needs to be a "white balance" style adjustment on each individual color within the HSL at least in ACR, if not in the HSL adjustment in regular photoshop.  Sliders exactly like the white balance sliders with Blu/Y and G/M, for R,O,Y,G,A,Blu,P,M

The Hue control is very limited in it's capability, and does not do what i need it to do, and I'm sure this would help many other photographers, especially in matching different cameras colors, or dealing with heavily mixed-lighting situations. 
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Stephen Fiddes

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Posted 2 months ago

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Cameron Rad

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Do you have visual examples of the issues you're running into with HSL adjustments? 

I'm curious what issues you're running into matching different cameras. Have you tried making custom dng/dcp camera profiles and enhanced camera profiles? Lumariver profile designer is a pretty powerful tool for creating DNG camera profiles. The enhanced camera profiles can combine a DNG camera profile with base settings, HSV Look Tables, and RGB 3DLUTs.

Lumariver Documentation: http://www.lumariver.com/lrpd-manual/
Adobe Enhanced Camera Profiles: https://spark.adobe.com/page/CEUxaoWXrcY1x/
 
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Stephen Fiddes

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My main purpose is not matching cameras (although that is something that would be assisted with this). It's helping adjust mixed light.  

I do real-estate and architechure photography, and I've had 5 different colored light sources, plus strange color artifacts coming into a space from floor reflections, yard reflections, or funky colored walls that are hard to get perfect.  I generally get things pretty good using the current tools available, but I firmly believe if there is a "white balance" style adjustment on the individual color channels, I can add warmth to the blue channel for example, and match the blue daylight streaming in from the window and reflecting off the floor, to the tungsten light in the room.  I could also match greens from grass reflection or fluorescent lights to the tungsten color much better as well.  

Now also apply that to using different camera bodies.  If someone knows a body has reds that are troublesome, they can adjust that, and set default.  If a different body has greens that are consistantly troublesome in their field, they can adjust and set that as default. ACR selects the default settings based on the camera,  so you could pretty easily set a default baseline adjustment (like I already have for other settings) and if needed, adjust from there.  

On the left side of the below unedited image, you can see how blue it is from the light coming in.  This is a mild example, but still shows the issue.  

Now, I have fixed this using the Adjustment Brush tool in the past, but that's not a perfect fix... I sincerely think the requested adjustment ability would make the fix much easier and more accurate.